Laia Mogas-Soldevila is surrounded by possibilities—leather made from plants, ribbons of lattice that can filter air, sand structures that could replace concrete and rebar. She and the research team at DumoLab are experimenting with architecture using biomaterials that are healthy for humans and sustainable for the planet. Mogas-Soldevila is one of four researchers who share their science and their spaces in the fourth installment of People and Places at Penn.
From robotics on the Schuylkill River to chronic wasting disease in Pennsylvania woodlands to a basement grow chamber near the BioPond, these individuals are searching for new ways to understand wildlife ecology, environmental engineering, sustainable architecture, and plant biology.
Laia Mogas-Soldevila, DumoLab
Laia Mogas-Soldevila’s office is a modern-day curiosity cabinet. Seed pods, feathers, cocoons, and barnacles coexist alongside science fiction offerings: a translucent, shell-like substance that curls up and stretches out again without cracking, a pink-and-orange, hexagonal-patterned fabric that feels like high-sheen leather, and a perforated, plastic-looking material with a snakeskin motif. But of course, nothing here is plastic or leather. It’s all biomaterials, reverse-engineered to make everyday objects that will biodegrade after they’ve fulfilled their purpose.
Mogas-Soldevila is assistant professor of graduate architecture at the Weitzman School of Design and her work explores material design. Using nature as inspiration, Mogas-Soldevila repurposes biomaterials to form everyday objects out of silk, cellulose, sand, and shrimp skins—everything is fair game, as long as it’s biodegradable.
“Everything that we do is water-based,” Mogas-Soldevila says. “You, any human, is assembled in a water-based environment, in our mother’s womb. All this water-based fabrication already happens in nature, all the time.”
Her lab has created a water-based gel that feels like plastic when it dries, but will degrade when it gets wet again. The hope is that this material could replace petroleum-based products, Mogas-Soldevila says. “It’s the plastic bag that you can use a couple of days and then the third day, it’s almost cracked.”
Originally from Spain, Mogas-Soldevila’s first advanced degree was in architecture. But she graduated during a construction crisis, she says. “I had to change gears. What else was out there?”
Mogas-Soldevila earned an interdisciplinary Ph.D. working within a biomedical engineering lab, integrating biology and design at Tufts University, and two Master of Science degrees in design computation and digital fabrication from Massachusetts Institute of Technology.
Now at Penn, “my intent is to bring it all back to architecture,” Mogas-Soldevila says. She wants to scale up, making these materials affordable, durable, and accessible. Her DumoLab Research group, housed in Charles Addams Fine Arts Hall, is a room with 3-D printers and Hobart mixers that looks like a mix of an industrial bakery, an art studio, and a technology lab.
Everything DumoLab makes has to have aesthetic value. “If it was not beautiful, we would not do it,” Mogas-Soldevila says. She’s exploring materials that could replace leather, both in upholstery and in clothing, and alternatives for construction material, like concrete.
Together with a team of Penn undergraduates, Mogas-Soldevila will spend her summer building a dome structure from their new “concrete,” which has the color and texture of earth, a substance made not only of sand, but also biopolymers from shrimp shells, algae, calcium, and corn, along with natural fibers like flax, bamboo, and burlap. It looks like caramelized sugar and weighs like lead.
And, like everything else, the concrete substitute is water soluble. “If it comes in, it must go back to Earth without toxicity. And that’s a challenge,” Mogas-Soldevila says. A “decade, multi-decade challenge. That’s why it’s difficult. But it’s going to be very rewarding if we get there.”
Scott Poethig, Poethig Lab
Born on the windy shores of Lake Erie in Buffalo, New York, Scott Poethig was quickly whisked away to tropical Manila by his parents, both Presbyterian missionaries. They wanted to immerse their son in Filipino culture and society, enrolling him in a local school. “In our biology class, when we had to dissect a frog, we had to bring the frog,” Poethig says.
For the last 40 years, Poethig has found a home at Penn as the John H. and Margaret B. Fassitt Professor of plant biology in the School of Arts & Sciences. He studies the transition between juvenile and adult development—everything from birth to puberty.
“Almost every aspect of the plant changes during the juvenile-to-adult transition,” Poethig says. “But, for many years, the vast majority of plant biologists didn’t know that [this transition] exists and certainly didn’t believe it was important.”
As it turns out, this transition controls many other processes, Poethig says. Photosynthetic efficiency differs, disease resistance varies, and almost every aspect of the shape of a plant—from its branching pattern to leaf shape—is differentially expressed in a juvenile plant, compared to its mature state.
Poethig discovered which gene controls maturation—a piece of small RNA called miR156. A large presence of miR156 suppresses the adult genes during the juvenile phase. When miR156 decreases, plants transition to the adult stage. Environmental impacts affect this as well, he says. Shade, for instance, delays the process.
Since 2006, Poethig has conducted his research at the Carolyn Lynch Laboratory, where ceiling-height glass windows look out onto Kaskey Park and the BioPond, framing a panoply of native species and their horticultural guests. In the fall, asters and toad lilies bloom in the understory. Tulip popular leaves yellow and fall, wafting down to rest on the understory.
Here, Poethig, three post-doctoral students, and one undergraduate conduct experiments on Arabidopsis thaliana, an inconspicuous, weedy-looking plant that, upon maturation, shoots up a flowering, foot-long stalk from a cluster of serrated leaves—and promptly dies.
With A. thaliana, the team is currently studying what Poethig calls “the master regulator of the final switch—reproduction.”
Every organism, both plants and animals, go through two major changes: somatic, or body change, and reproductive maturation, he says. “One of the big questions is, what is the relationship between vegetative phase change—the type of leaves the plant makes—and reproductive competence?”
People assume that physical maturation and reproductive competence are part of the same process, Poethig says, meaning that a plant will flower when it looks like an adult. “That’s what’s been assumed in plants for over 100 years,” he says. At Lynch Laboratory, results from the A. thaliana experiments show that these two processes are independently regulated. While miR156 controls many aspects of plant development, it does not inhibit reproduction.